One of the things I love about visiting New York City is all the wonderful architecture. Everywhere you look you can find buildings with interesting shapes and details. This image shows the clock face from the Woolworth Building. You can see from the picture the great detail work put in to creating this clock, details which most people would never see from the street. I especially like the detail work done with the tiles of the clock face.

One of the joys of visiting New York City is the wonderful architecture of its buildings, both old and new. One of my favorite buildings in New York is the Chrysler Building, and one of the main reasons I like it so much is all the wonderful Art Deco details used in its design. Nothing is more iconic that the metal top which adorns this building. I took this shot on the last day of a recent trip to New York. I wasn’t able to get a nice night shot, so I worked with what was available. I was using my 28-300 lens on a rented D800 and I took numerous shots of the building from various angles. What I really wanted was an extreme close-up, but by the time you get far enough away from the building to have a nice angle on the top, even 300mm doesn’t get you very close. What I ended up doing for this shot was to crop a section out of larger image to get the detail that I wanted. Fortunately I was shooting with a rented D800 which has 36 megapixels to work with. Even after a very tight crop the image is still quite large and detailed.

Anyone who knows history, or who has been reading any papers lately knows that this is the 100th anniversary of the sinking of the ‘unsinkable’ ship, Titanic. I’m visiting New York, and while I’m here I got the chance to see a bit of Titanic history in person. The ship was originally supposed to dock in New York city at Pier 59. Of course, the ship sank before it reached New York. The Cunard ship Carpathia managed to pick up the survivors and when they arrived at New York, they first visited Pier 59 to drop off the lifeboats and then returned to Pier 54 to drop off the passengers. Both Pier 54 and 59 were demolished years ago, Pier 59 is now just a bunch of stumps sticking out of the water, but Pier 54 at least still has this iron gate marking it’s entrance. If you look carefully, you can see writing which says Cunard and White Star Line. The liners merged after the Titanic disaster.

I have a trip to New York City coming up soon and I’ve been going through some past images that I’ve taken in New York to get some ideas about what I might want to shoot on this trip. I came across this shot that I took of the Atlas statue located in Rockefeller Center, just across the street from St. Patrick’s Cathedral. I’ve worked on this image before but never really came up with something I really liked. I’ve tried various things to remove the extra buildings since I wanted the focus to be on Atlas and the cathedral across the street. I tried something new this morning. I used a couple filter in Color Efex Pro4 to bring out some detail in the shot and increase color saturation, and then I used a Film Noir preset in Silver Efex Pro 2 to convert the image to black and white. I made some additional adjustments and came up with the final image. I think it has a nice almost hand-drawn character to it. It’s not perfect, but I think it came out all right.

This is a shot of the Guggenheim Museum in New York City that I took a couple of years ago. It’s actually a panorama created from three shots (the original pano is shown below). I’ve actually been working on variations of this image since I took it. I’ve played around with a variety of ideas. I recently purchased theTopaz Labs Detail plugin and I experimented with it on this image.

This seems to be the time of year when I take a look through pictures I’ve shot in the past but never did anything with. Some of this is due to the fact that I haven’t really had the time or the motivation to go out and shoot new material. Some of it is just the simple fact that I like to browse my catalog for images which might be interesting to work with. The raw image that I took of the Guggenheim Museum in New York was not going to be one of those images. I didn’t particularly care for the composition, I didn’t like all the people in the shot, it just didn’t thrill me. So it was somewhat of a surprise to me that I picked this image to experiment with.

I don’t get to New York as often as I would like to any more. I used to be able to count on at least a couple of trips each year for work, but not so much any more. This particular image was taken a year ago when my wife and I visited New York for our wedding anniversary. It was the first time I had visited the museum and I certainly hope to get back to see it again. It was a cloudy and somewhat rainy day when we visited which meant that the skylight above was mostly white, instead of blue. The interior was not extremely bright, so I had to bump my ISO to 1250 to get a reasonable shutter speed. Unfortunately the camera I was using at the time, an Olympus E-3, doesn’t do well at higher ISO settings. I love the camera, I just wish it did better at higher ISO.

This is a shot of Grand Central Terminal in midtown Manhattan. The image was taken at 7 am, just as the morning rush hour was getting started. I didn’t have a tripod with me (and the transit police probably would have hassled me anyway) so I just set my camera on the staircase railing. I wanted to use a relatively slow shutter speed to capture some movement, but I didn’t want everything to be blurred. I really like the fact that there is a mix of people who are blurred, and others who aren’t. This images is a toned black & white converted from a color image, but in reality the color image doesn’t look that much different.

This shot shows Federal Hall in New York City. The site of Federal Hall, located on Wall Street, is where George Washington took the oath of office as the first President in 1789 and was also the site of the first Congress, Supreme Court and Executive Branch offices. The original building was torn down in 1812 and ultimately replaced with the current structure in 1842. The new structure served as the country’s first customs house. This picture was taken during a gray, snowy day, and my processing attempted to keep that feeling. The image was originally in color, but the color image and the final image aren’t really that much different in tonality. The other thing I did was to pump up the grain. If you look carefully, you can see streaks of snow in the image as well.

I was in New York on business recently, and early one morning I took a look out of my hotel window to check on the weather. Snow had been predicted and I wanted to see if it was snowing yet. When I looked out, I was captivated by the color and geometry of the skyscrapers, particularly the way the windows were lit. Since it was early, only a handful of lights were on and it created an interesting pattern. As I looked further, I could see the Empire State Building in the haze, a haze created by a light snowfall. I really liked the combination of the strong, modern geometric shapes in the foreground combined with the older architecture of the Empire State Building fading into the background.