f you look through a portfolio of my images you might notice that I enjoy taking pictures of old, mechanical things. I just really like the design elements that were often used in older technolgy. It seemed as if the machine was as much art as it was functional. I think this picture from the Edison Illuminating Company building at Greenfield Village is a good example. The picture is a crank wheel attached to an electric generator. I believe this particular generator came from Edison’s power plant located on Pearl Street in New York City. The wheel serves a simple purpose, to turn something, and it could have been made with simple spokes, but this one used spokes which create a star pattern which caught my eye as I was looking for elements to shoot inside the station.

In yesterday’s post I showed the exterior of the Edison Illuminating Company building located inside Greenfield Village. This shot comes from the interior. Edison’s power plants produced DC power, and the power wasn’t very strong and didn’t transmit well over long distances. The further you were away from the power plant, the less power you got. The light bulbs in the building at Greenfield village run at about 40 watts, which is about the intensity of light you would have received from that plant if you were nearby. Of course, the bulbs actually lasted a long time at that power.

I’ve only got a couple more days before I have to send my lens rental back so I took advantage of the wonderful weather we had this weekend to once again visit Greenfield Village in Dearborn, Michigan. The day started out somewhat cloudy, but the temperature was pleasant and as the afternoon wore on, the clouds moved on. As I was walking by this building I noticed that the clouds were starting to break up and make some interesting formations. The sun was also getting lower in the sky and was adding some additional warmth to the building. I had been shooting with a longer lens, but I decided to switch back to the fisheye to see what I might be able to capture.

One of the amazing things about the 16mm fisheye on my D700 is just how wide an image you can get. The D700 viewfinder does not show a 100% view and I was surprised when I was looking at my fisheye shots at just how much more information I had on the edges that what I saw in the frame. In the shot above, however, this wasn’t the case. The main subject of this shot is a mural painted on the wall of a building in Ann Arbor, Michigan. The mural was originally done in 1984 and the original artist was just in town to touch it up. Originally there was a bookstore located in the space above the mural, but has since moved to a different location. The mural depicts Woody Allen, Edgar Allen Poe, Herman Hesse, Franz Kafka, and Anaïs Nin.

I’ve been feeling someone uninspired in my photography of late, getting bored with shooting similar subjects. I really enjoy shooting with a wide angle lens, but I typically use the wide angle for architecture shots to give me enough material to create reasonably straight lines. However, I’ve always enjoyed seeing images of architecture and other subjects which have been shot with a fisheye lens. So, just for fun and to mix things up a bit, I decided to rent the Nikkor 16mm fisheye for use on my D700. I went out for a walk around town late yesterday just to see what sort of interesting images I might be able to create with this lens. I managed to get a few that I liked and I enjoyed shooting with this lens.

he Michigan Central Depot in Detroit, Michigan is such a perfect analogue to the city of Detroit. It was once a beautiful place but it has been allowed to decay. The building has been threatened with demolition for years, but so far it remains standing. Some good things are happening, at least in the surrounding area. Private organizations are working to clean up the park in front of the station. In addition, they are buying up buildings and either demolishing or attempting to rehabilitate them, depending on their condition. The depot itself is a favorite location for film shoots and has been featured in movies such as ‘The Island’ and ‘Transformers’ among others. It’s a shame that the best feature of the building is it’s decay, but if it helps raise awareness about the building that is probably a good thing.

This is another in a series of HDR images that I shot at Greenfield Village in Dearborn, Michigan. Once again the location was the Armington & Sims machine shop. I love the look of the old, oiled, metal of the vintage machinery. I think this type of material really works well with HDR. My goal was to really focus in on one element of the machine, in this case a crank handle, possibly used to operate a vise-like component, but I’m not sure. In comparison with one of the ‘as-shot’ images, I think this shot really brings out the details.

The Armington & Sims machine shop at Greenfield Village is a great place for lovers of old tools and machinery. I also like the variety of old wooden items they have in the shop. This picture shows a cabinet which is used to contain a variety of small parts. The cabinet sits behind a railing which made it tricky to get a good shot.

The Armington & Sims machine shop in Greenfield Village was built in 1929. It was named after a maker of steam engines in Providence, Rhode Island. The building houses a working machine shop which would have been used as a ‘job’ shop to build and repair various parts for industry. The shop was originally powered by steam, with the steam engine sending its power to the machinery via a system of belts and pulleys. If you look near the top of the image, you can see a series of pulley wheels and their belts which power the machines to the right. Today the shop it powered by electricity. While primarily an exhibit of what a machine shop would have been like in the day, the shop is still used to produce parts for items needed in the village and museum.

As promised yesterday, here is the black and white version of yesterday’s color HDR of the Detroit & Mackinac Caboose from Greenfield Village in Dearborn, Michigan. Processing was quite simple. I took the image produced by Photomatix into Photoshop and ran Topaz Adjust to increase clarity. I then used Silver Efex Pro to convert the image to black and white. I went with a film style with little grain and added a bit of a vignette. I finished it off with a light sepia tone.