One of my favorite places to visit and subjects to shoot in New York City is the Guggenheim Museum. Designed by Frank Lloyd Wright and opened in 1959, it is a unique structure and makes for some interesting photography. This shot was taken across the street using the Sigma 15mm fisheye lens. What I find interesting about shooting with a fisheye in a ‘street’ situation is the way it can incorporate elements that you weren’t expecting. I composed the shot for the museum. I thought the cars moving through the shot added another level of interest. I didn’t expect the cyclist, but I’m glad he popped into the frame as I took the shot.

This image shows the interior of the Guggenheim Museum in New York City. Designed by Frank Lloyd Wright and built in 1959, the museum is unique in its use of a spiral ramp to lead patrons through the exhibited items. To view an exhibit you take an elevator to the top and walk down the ramp. It’s an interesting museum and I highly recommend a visit if you are in New York City.

I’ve been viewing an online photography course called Photoshop for Photographers, taught by Ben Willmore and presented on creativeLIVE.com. I’ve been using Photoshop for years and have view many tutorials and read various books and articles. Still, watching this course gave me some deeper understanding of how to make the most of Photoshop along with learning some new techniques that I hadn’t tried before. One of the areas that I found interesting dealt with retouching images, especially how to best make use of the Clone Stamp, Spot Healing Brush and the Healing Brush. I decided to look for some images in my catalog that I could practice on and I came across this image of the Guggenheim Museum in New York City that I had taken a few months ago.

On a recent trip to New York City I had the opportunity to spend a little time outside the Guggenheim Museum. It was late in the day and I didn’t have the time to actually go inside so I decided to get some exterior shots. I’ve always been fond of the design of this museum and I wanted to capture some of its details. For me the two things that stand out about this museum is the unique inverted ziggurat he used as the main display area, and the typography used on the exterior lettering. The plain white concrete shapes with the simple black lettering really appeal to me. I was trying to capture something a bit more abstract than just a regular architectural shot so I played with different angles. I liked the angle on this shot, but the image was rather flat coming out of the camera. I used a few different tools in Lightroom 4 to help bring out the texture of the surface and to increase the contrast. Probably the change that had the most effect was bumping the clarity up to 100 while reducing the highlights and blacks.

This seems to be the time of year when I take a look through pictures I’ve shot in the past but never did anything with. Some of this is due to the fact that I haven’t really had the time or the motivation to go out and shoot new material. Some of it is just the simple fact that I like to browse my catalog for images which might be interesting to work with. The raw image that I took of the Guggenheim Museum in New York was not going to be one of those images. I didn’t particularly care for the composition, I didn’t like all the people in the shot, it just didn’t thrill me. So it was somewhat of a surprise to me that I picked this image to experiment with.